Performance. Masculinity. Violence.
In taut and stylish prose, The Passenger Seat examines how men learn and perform masculinity. Rejecting easy answers, it keeps our eyes trained on the vanishing point where vulnerability edges into violence, alienation into aggression.
Heroism. Resistance. History.
The New York Times bestselling author of The Dressmakers of Auschwitz weaves together the stories of four Jewish girls during the Holocaust, strangers whose lives were unknowingly intertwined by everyday garments.
News & Events
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![Melissa Goode on the alchemy of writing to music]()
Melissa Goode on the alchemy of writing to music
Music is essential to my writing process, sending me to another world, away from this one, and casting me into the moment with the characters. If I listen to, for example, ‘The Great White Open’ by Christian Löffler and Federico Albanese, or Dirty Three’s ‘Sue’s Last Ride’, I can start the process, like swimming towards the bottom of a pool and reaching a different place. -
![Injecting humour into crime fiction by Aoife Clifford]()
Injecting humour into crime fiction by Aoife Clifford
Writing a crime novel is always great fun but creating a funny crime novel is a real challenge. Killing is the easy part, making a reader laugh about it is much harder. -
![Abby Corson: How I got into the mindset of a seventy-three-year-old man.]()
Abby Corson: How I got into the mindset of a seventy-three-year-old man.
Hector Harrow is an almost-retired hotel concierge from Yorkshire who likes to drink tea and do newspaper puzzles in his cosy cottage. For me, he was the perfect protagonist for my murder mystery. -
![Why Teach? By Yumna Kassab]()
Why Teach? By Yumna Kassab
I never meant to be a teacher. I, in fact, categorically 100% in no absolute way wanted to teach. My complete prejudice was the result of an adult ...
